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bellydance


There are many theories on the origins of belly dance. This is what I was taught and I find it to be a powerful, moving and inspiring explanation.

Since ancient times, bellydance has been passed down from generation to generation. It comes from the orient, what is now more commonly known as the Middle East and outlying areas. Some say that it was born in ancient Egypt or Persia, but its exact place of conception is unknown. What was once exclusive to the oriental world has since spread to the European countries and onward into America, Asia, and Oceania. Today, bellydance is performed and all over the world and other countries are developing their own unique styles of the dance.

Bellydance is traditionally a solo improvisational dance. It is a dance form that places importance on the individual as well as the community. For centuries it has been enjoyed for healing, relaxation, joy, and as a way to convey one's emotions. It expresses the joy of life. The movements are thought to relate to the cycles of life and fertility such as praying for harvest, worshipping the mother’s body, and paying homage to the goddesses. In keeping with the cycle of life, it is also a dance tied the earth's elements: fire, water, air and earth. The mystical nature of the music and the exotic, beautiful costuming heighten the idea of the cycles, the body, and the elements.

The dance joins body and earth. To this day most people perform the dance barefoot. To watch a bellydancer's bare feet is to be transported back in time, to the feet before her that danced across carpets, over deserts, through nature.

To this day people come to the dance for a variety of reasons, but they stay because it is healthy and relaxing, enhances natural feminine/human beauty and helps them appreciate the beauty already within them, and is a way to express themselves freely- that is why it is loved. That is what makes the dance timeless and universal.

Recommendations:
<Bellydance>

"Serpent of the Nile" Wendy Buonaventura
"The Bellydance Book" Tazz Richards
"Bellydance" Keiti Sharif
"The Tribal Bible" Kajira Djoumabna
"A Trade like Any Other- Female Singers and Dancers in Egypt" Karinvan Nieuwkerk
"Grandmother’s Secrets" Rosina-Fawzia Al-Rawi
"Bellydance" Dolphina
"The Secret Language of Belly Dancing" Maria Strova
"The Belly Dancer" DeAnna Cameron

<History and Culture>
"Ancient Egyptian Dances" Irena Lexova
"Beauty and the East: A Book of Oriental Body Care" Wendy Buonaventura
"What People Wore: 1,800 Illustrations from Ancient Times to the Early Twentieth Century" Douglas Gorsline
"The Woman's Dictionary of Symbols and Sacred Objects" Barbara G. Walker
「オリエンタリズム」(上)(下) エドワード・W・サイード
「イスラームの女性達」 白須 英子
「イスラームの日常世界」 片倉 もとこ
「物語 中東の歴史」 牟田口 義郎
「西洋美術史」 美術出版社

<Gypsy>
"The Pariah Syndrome: An Account of Gypsy Slavery and Persection" Ian Hancock
"Romancero Gitano" Federico Garcia Lorca
"Bury Me Standing: The Gypsies and Their Journey" Isabel Fonseca
"Gypsy Magic: A Romany Book of Spells, Charms, and Fortune-Telling" Patrinella Cooper
「ジプシーの謎」 アンリエット・アセオ
「オリエンタル・ジプシー」 関口 義人
「ジプシー・ミュージックの真実」 関口 義人
「太陽の木の枝-ジプシーの昔話」 イェジー・フィツォフスキ
「ジプシー - 歴史・社会・文化」 水谷 タケシ
「ジプシーと呼ばれた人々-東ヨーロッパ・ロマ民族の過去と現在」 加賀美 雅弘

<Mythology>
"Egyptian Myths (The Legendary Past)" George Hart
"The Woman's Encyclopedia of Myths and Secrets" Barbara G. Walker
"Goddesses in World Mythology" Martha Ann
「世界神話辞典」 角川書店

<Folktales>
「語りつぐ人びと・アフリカの民話」 江口 一久
「太陽の木の枝 - ジプシーの昔話」 イェジー・フィツォフスキ

<Others>
「ヨーガ 本質と実践」 シワーナンダ・ヨーガ・センター編
「秘伝 マルマ刺激ヨーガ」 伊藤 武
「図説 インド神秘事典」 伊藤 武
「心地いいカラダとココロをつくる横森式ベリーダンス健康法」 横森 理香
「砂漠の女 ディリー」ワリス・ディリー


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